painted building bolt and a barycentric view  (2) 11 x 14

painted building bolt and a barycentric view

(2) 11 x 14

 penny painting and the counter plane, double glint in the window light   5 x 7

penny painting and the counter plane, double glint in the window light

5 x 7

 sometimes still there  16 x 20

sometimes still there

16 x 20

 remaining indent and a previous present / object mold   16 x 20

remaining indent and a previous present / object mold

16 x 20

 painted building bolts / before the door   16 x 20

painted building bolts / before the door

16 x 20

 lee shore (bookends)  16 x 20

lee shore (bookends)

16 x 20

 side mirror (wait)  11 x 14

side mirror (wait)

11 x 14

 when the afterimage is the image (implied sun / also the sun)  11 x 14

when the afterimage is the image (implied sun / also the sun)

11 x 14

 double (surface lean / contact between)  16 x 20

double (surface lean / contact between)

16 x 20

 when the afterimage is the image (building sun)  11 x 14

when the afterimage is the image (building sun)

11 x 14

 gleam plane and peripheral vision  16 x 20

gleam plane and peripheral vision

16 x 20

 windshield painting (glass plane)  16 x 20

windshield painting (glass plane)

16 x 20

 when the after-image is the image

when the after-image is the image

 between what is, ought and could be (image-object)  11 x 14

between what is, ought and could be (image-object)

11 x 14

 gleam plane (coffee painting)

gleam plane (coffee painting)

 framed view, studio window (air conditioner)  36 x 48

framed view, studio window (air conditioner)

36 x 48

 boulder painting  11 x 14

boulder painting

11 x 14

 binocular view, boulder painting (close for some time)  11 x 14

binocular view, boulder painting (close for some time)

11 x 14

 supports   8 x 10

supports

8 x 10

 being (in time) is also being alongside  8 x 10

being (in time) is also being alongside

8 x 10

 supply line, double  8 x 10

supply line, double

8 x 10

 valley wall, between the trees and a binocular view  20 x 30

valley wall, between the trees and a binocular view

20 x 30

 like a cloud except a flower for the concrete  8 x 10

like a cloud except a flower for the concrete

8 x 10

 aspects, views, access and translation- points of contact between become their own objects too  11 x 14

aspects, views, access and translation- points of contact between become their own objects too

11 x 14

 blue sun, peripheral vision   11 x 14

blue sun, peripheral vision

11 x 14

 find one another in a found world  12 x 16

find one another in a found world

12 x 16

 on a walk  12 x 16

on a walk

12 x 16

 a mirror in the room and an open window  36 x 60

a mirror in the room and an open window

36 x 60

 open window, outside  38 x 50

open window, outside

38 x 50

 mirror and an open door  8 x 10

mirror and an open door

8 x 10

 brim, ear, from my dad  20 x 24

brim, ear, from my dad

20 x 24

 evening and outside (surface company and tones between)  22 x 30

evening and outside (surface company and tones between)

22 x 30

 double contact (building wall)  22 x 30

double contact (building wall)

22 x 30

 under and still  8 x 10

under and still

8 x 10

 glint plane and another  20 x 24

glint plane and another

20 x 24

 containers  20 x 24

containers

20 x 24

 magnetic basin  16 x 20

magnetic basin

16 x 20

 utility light  36 x 60

utility light

36 x 60

 gleam plane, watering can  8 x 10

gleam plane, watering can

8 x 10

 gleam plane (east bay)  11 x 14

gleam plane (east bay)

11 x 14

 when the after-image is the image   (6)  11 x 14

when the after-image is the image

(6) 11 x 14

 when the after-image is the image (I’ll be seeing you)  11 x 14

when the after-image is the image (I’ll be seeing you)

11 x 14

 painted building bolt and a barycentric view  (2) 11 x 14
 penny painting and the counter plane, double glint in the window light   5 x 7
 sometimes still there  16 x 20
 remaining indent and a previous present / object mold   16 x 20
 painted building bolts / before the door   16 x 20
 lee shore (bookends)  16 x 20
 side mirror (wait)  11 x 14
 when the afterimage is the image (implied sun / also the sun)  11 x 14
 double (surface lean / contact between)  16 x 20
 when the afterimage is the image (building sun)  11 x 14
 gleam plane and peripheral vision  16 x 20
 windshield painting (glass plane)  16 x 20
 when the after-image is the image
 between what is, ought and could be (image-object)  11 x 14
 gleam plane (coffee painting)
 framed view, studio window (air conditioner)  36 x 48
 boulder painting  11 x 14
 binocular view, boulder painting (close for some time)  11 x 14
 supports   8 x 10
 being (in time) is also being alongside  8 x 10
 supply line, double  8 x 10
 valley wall, between the trees and a binocular view  20 x 30
 like a cloud except a flower for the concrete  8 x 10
 aspects, views, access and translation- points of contact between become their own objects too  11 x 14
 blue sun, peripheral vision   11 x 14
 find one another in a found world  12 x 16
 on a walk  12 x 16
 a mirror in the room and an open window  36 x 60
 open window, outside  38 x 50
 mirror and an open door  8 x 10
 brim, ear, from my dad  20 x 24
 evening and outside (surface company and tones between)  22 x 30
 double contact (building wall)  22 x 30
 under and still  8 x 10
 glint plane and another  20 x 24
 containers  20 x 24
 magnetic basin  16 x 20
 utility light  36 x 60
 gleam plane, watering can  8 x 10
 gleam plane (east bay)  11 x 14
 when the after-image is the image   (6)  11 x 14
 when the after-image is the image (I’ll be seeing you)  11 x 14

painted building bolt and a barycentric view

(2) 11 x 14

penny painting and the counter plane, double glint in the window light

5 x 7

sometimes still there

16 x 20

remaining indent and a previous present / object mold

16 x 20

painted building bolts / before the door

16 x 20

lee shore (bookends)

16 x 20

side mirror (wait)

11 x 14

when the afterimage is the image (implied sun / also the sun)

11 x 14

double (surface lean / contact between)

16 x 20

when the afterimage is the image (building sun)

11 x 14

gleam plane and peripheral vision

16 x 20

windshield painting (glass plane)

16 x 20

when the after-image is the image

between what is, ought and could be (image-object)

11 x 14

gleam plane (coffee painting)

framed view, studio window (air conditioner)

36 x 48

boulder painting

11 x 14

binocular view, boulder painting (close for some time)

11 x 14

supports

8 x 10

being (in time) is also being alongside

8 x 10

supply line, double

8 x 10

valley wall, between the trees and a binocular view

20 x 30

like a cloud except a flower for the concrete

8 x 10

aspects, views, access and translation- points of contact between become their own objects too

11 x 14

blue sun, peripheral vision

11 x 14

find one another in a found world

12 x 16

on a walk

12 x 16

a mirror in the room and an open window

36 x 60

open window, outside

38 x 50

mirror and an open door

8 x 10

brim, ear, from my dad

20 x 24

evening and outside (surface company and tones between)

22 x 30

double contact (building wall)

22 x 30

under and still

8 x 10

glint plane and another

20 x 24

containers

20 x 24

magnetic basin

16 x 20

utility light

36 x 60

gleam plane, watering can

8 x 10

gleam plane (east bay)

11 x 14

when the after-image is the image

(6) 11 x 14

when the after-image is the image (I’ll be seeing you)

11 x 14

show thumbnails