painted building bolt and a barycentric view
(2) 11 x 14
penny painting and the counter plane, double glint in the window light
5 x 7
sometimes still there
16 x 20
remaining indent and a previous present / object mold
16 x 20
painted building bolts / before the door
16 x 20
lee shore (bookends)
16 x 20
side mirror (wait)
11 x 14
when the afterimage is the image (implied sun / also the sun)
11 x 14
double (surface lean / contact between)
16 x 20
when the afterimage is the image (building sun)
11 x 14
gleam plane and peripheral vision
16 x 20
windshield painting (glass plane)
16 x 20
when the after-image is the image
between what is, ought and could be (image-object)
11 x 14
gleam plane (coffee painting)
framed view, studio window (air conditioner)
36 x 48
boulder painting
11 x 14
binocular view, boulder painting (close for some time)
11 x 14
supports
8 x 10
being (in time) is also being alongside
8 x 10
supply line, double
8 x 10
valley wall, between the trees and a binocular view
20 x 30
like a cloud except a flower for the concrete
8 x 10
aspects, views, access and translation- points of contact between become their own objects too
11 x 14
blue sun, peripheral vision
11 x 14
find one another in a found world
12 x 16
on a walk
12 x 16
a mirror in the room and an open window
36 x 60
open window, outside
38 x 50
mirror and an open door
8 x 10
brim, ear, from my dad
20 x 24
evening and outside (surface company and tones between)
22 x 30
double contact (building wall)
22 x 30
under and still
8 x 10
glint plane and another
20 x 24
containers
20 x 24
magnetic basin
16 x 20
utility light
36 x 60
gleam plane, watering can
8 x 10
gleam plane (east bay)
11 x 14
when the after-image is the image
(6) 11 x 14
when the after-image is the image (I’ll be seeing you)
11 x 14
painted building bolt and a barycentric view
(2) 11 x 14
penny painting and the counter plane, double glint in the window light
5 x 7
sometimes still there
16 x 20
remaining indent and a previous present / object mold
16 x 20
painted building bolts / before the door
16 x 20
lee shore (bookends)
16 x 20
side mirror (wait)
11 x 14
when the afterimage is the image (implied sun / also the sun)
11 x 14
double (surface lean / contact between)
16 x 20
when the afterimage is the image (building sun)
11 x 14
gleam plane and peripheral vision
16 x 20
windshield painting (glass plane)
16 x 20
when the after-image is the image
between what is, ought and could be (image-object)
11 x 14
gleam plane (coffee painting)
framed view, studio window (air conditioner)
36 x 48
boulder painting
11 x 14
binocular view, boulder painting (close for some time)
11 x 14
supports
8 x 10
being (in time) is also being alongside
8 x 10
supply line, double
8 x 10
valley wall, between the trees and a binocular view
20 x 30
like a cloud except a flower for the concrete
8 x 10
aspects, views, access and translation- points of contact between become their own objects too
11 x 14
blue sun, peripheral vision
11 x 14
find one another in a found world
12 x 16
on a walk
12 x 16
a mirror in the room and an open window
36 x 60
open window, outside
38 x 50
mirror and an open door
8 x 10
brim, ear, from my dad
20 x 24
evening and outside (surface company and tones between)
22 x 30
double contact (building wall)
22 x 30
under and still
8 x 10
glint plane and another
20 x 24
containers
20 x 24
magnetic basin
16 x 20
utility light
36 x 60
gleam plane, watering can
8 x 10
gleam plane (east bay)
11 x 14
when the after-image is the image
(6) 11 x 14
when the after-image is the image (I’ll be seeing you)
11 x 14